{"id":291,"date":"2017-02-27T15:19:39","date_gmt":"2017-02-27T15:19:39","guid":{"rendered":"https:\/\/verbekefoundation.com\/?p=291"},"modified":"2017-07-20T09:28:04","modified_gmt":"2017-07-20T09:28:04","slug":"2015-2016","status":"publish","type":"post","link":"https:\/\/verbekefoundation.com\/en\/2017\/02\/2015-2016\/","title":{"rendered":"2015-2016"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]11 September until 30 October 2016<\/em><\/p>\n

RESOUNDING FAILURE (paintings&installation)
\nRYAN MENDOZA <\/strong>(VS \u00ba1971)<\/p>\n

17 April until 30 October 2016
\n<\/strong><\/em><\/p>\n

Bewogen beweging \u2013 Theo Jansen en Zoro Feigl
\nRetrospectieve \u2013 Roger van de Wouwer<\/strong><\/h4>\n

On 17 April 1961 Bewogen Beweging, the first International Exhibition of Art in Motion, closed at Stedelijk Museum in Amsterdam. Exactly 55 years later, the exhibition under the same title opens at the Verbeke Foundation. This time the spotlight is placed on two Dutch artists sharing a strong interest in kinetic installations: Theo Jansen<\/strong> and Zoro Feigl<\/strong>.<\/em><\/p>\n

Bewogen Beweging (eng. Moved Movement) brings together new and recent works by Zoro Feigl as well as Theo Jansen\u2019s first retrospective in Belgium. Using everyday materials to create intricate moving machines, the artists blur the line between art, engineering, mechanics, and biology. Constructed largely of PVC tubing, Theo Jansen\u2019s dream machines walk on the wind and as new forms of life become more and more resistant to changeable weather conditions. Visitors are encouraged not only to see the beasts, but also to move them by hand and follow the evolution of the Strandbeests through their skeletons, photos, artist\u2019s sketches, and design drawings dating back to 1990. While Theo\u2019s primary focus is the function, Zoro aims at investigating physical properties of industrial materials such as plastic sheets, cords, ropes, etc. The tension achieved through the use of heavy components set in motion by engines and motors goes beyond rigid forms of mechanics resulting in dance-like qualities. Through endless experiments, the artists discover new ways of development, explore dynamics of movement and create balance between organic and mechanical properties.<\/p>\n

The Verbeke Foundation is also proud to host the first retrospective of Roger Van de Wouwer<\/strong>. Comprising over a hundred collages, paintings and drawings, the exhibition touches on a variety of subject matters and brings closer the oeuvre of this surrealist painter and illustrator who employed a vast array of techniques to question the meaning and function of images. On the occasion of the exhibition, a book about Roger Van de Wouwer was published by the Verbeke Foundation.<\/p>\n

Also on view works by: Bob Lens<\/strong>, Maarten Vanden Eynde<\/strong>, L\u00e9a Ricorday<\/strong>, herman de vries<\/strong>, Alan Sonfist<\/strong>, Stefan Cools<\/strong>, Lodewijk Heylen<\/strong>, Richard Kromjong<\/strong>, Paul Joostens<\/strong>, Rosemond Meys<\/strong>, Marcel Louis Baugniet<\/strong>, E.L.T. Mesens<\/strong>, and many others from Collection of the Verbeke Foundation.<\/p>\n

BEWOGEN BEWEGING: Kinetic Sculptures is curated by Marie Verboven, Marek Wolynski, Karolina Slup.<\/p>\n

The exhibition is on view through 30 October 2016.
\nZORO FEIGL <\/strong>(NL \u00ba1983)
\nTHEO JANSEN <\/strong>(NL \u00ba1948)
\nROGER VAN DE WOUWER <\/strong>(BE \u00ba1933 \u20202005)
\nBOB LENS
\nMAARTEN VANDEN EYNDE (until 30 September 2016)
\nLEA RICORDAY<\/strong><\/p>\n

 <\/p>\n

Winterexpositie \u2013 11 2015 tot en met 03 2016<\/em><\/p>\n

OBJET OBLIGE
\n<\/strong>Dani\u00ebl Spoerri<\/a> \u00ba1930, RO
\nAlbert Szukalski<\/a> \u00ba1945 \u20202000, BE
\nJean-Pierre Temmerman \u00ba1957, BE
\nHanshan Roebers<\/a> \u00ba1941, NL<\/p>\n

BIO-ART
\n<\/strong>Mandy den Elzen<\/a> \u00ba1981, NL
\nRuangsak Anuwatwimon<\/a> \u00ba1975, TH \u2013 Ash hearts<\/p>\n

RETROSPECTIEVE
\n<\/strong>Jan Goossen<\/a> \u00ba1937 \u20202005, NL \u2013 beelden, tekeningen<\/p>\n

COLLAGES
\n<\/strong>Fran\u00e7ois-Xavier Delmaire \u00ba1971, BE
\nPhilippe Lemaire \u00ba1951, FR
\nCollectie Verbeke Foundation<\/p>\n

BUITENSCULPTUREN
\n<\/strong>Andrea Branzi<\/a> \u00b01938, IT \u2013 Grande Vaso
\nherman de vries<\/a> \u00b01931, NL
\n<\/strong>Atelier van Lieshout<\/a> \u00b01963, NL \u2013 CAST mobiel
\nAlan Sonfist<\/a> \u00b01946, USA
\nMatthijs Bosman<\/a> \u00b01976, NL
\nPaul Rutger Bastiaan<\/a> \u00b01959, NL \u2013 De Bathyscaaf<\/p>\n

PROJECTEN
\n<\/strong>Sul Sol n\u00b02, curator Marta de Menezes
\nOur bodies<\/a> (Instituut voor Tropische Geneeskunde)
\nMerlin Spie<\/a> \u00b01969
\n\u201cLIFE art Performance \u201cHolding the Frame together\u201d
\nRESIDU INSTALLATION for WinterEXPO[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text]11 September until 30 October 2016 RESOUNDING FAILURE (paintings&installation) RYAN MENDOZA (VS \u00ba1971) 17 April until 30 October 2016 Bewogen beweging \u2013 Theo Jansen en Zoro Feigl Retrospectieve \u2013 Roger van de Wouwer On 17 April 1961 Bewogen Beweging, the first International Exhibition of Art in Motion, closed at Stedelijk Museum in Amsterdam. Exactly 55 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[14],"tags":[],"class_list":["post-291","post","type-post","status-publish","format-standard","hentry","category-archief"],"_links":{"self":[{"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/posts\/291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/comments?post=291"}],"version-history":[{"count":3,"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/posts\/291\/revisions"}],"predecessor-version":[{"id":2941,"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/posts\/291\/revisions\/2941"}],"wp:attachment":[{"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/media?parent=291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/categories?post=291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/tags?post=291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}