{"id":896,"date":"2017-03-21T13:15:27","date_gmt":"2017-03-21T13:15:27","guid":{"rendered":"https:\/\/verbekefoundation.com\/?p=896"},"modified":"2017-07-20T12:41:51","modified_gmt":"2017-07-20T12:41:51","slug":"barney-de-krijger-nl-o1943","status":"publish","type":"post","link":"https:\/\/verbekefoundation.com\/en\/2017\/03\/barney-de-krijger-nl-o1943\/","title":{"rendered":"Barney de Krijger (NL, \u00ba1943)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<em><strong>Re-sidu-ality<\/strong><\/em><br \/>\nA homage to Vil\u00e9m Flusser<br \/>\nInstallation, 2012 \u2013 ongoing<br \/>\nCollection of the Verbeke Foundation<\/p>\n<p>Re-sidu-ality is an installation in-progress which Barney de Krijger has been creating since 2012. The installation shows a kaleidoscopic mix of analogue photographic and cinematographic media as mechanical apparatus and has been invented and designed to capture, fix, freeze, and project images. The work is a homage to Vil\u00e9m Flusser (1920-1991), a Czech-born philosopher, writer and journalist who wrote about the influence of digital evolution in the visual arts.<\/p>\n<p>As a moving spatial collage, Re-sidu-ality refers to time, space, past, present, re-use, decay and disappearance of analogue visual culture. A huge glass cube with a dark folio coating lies at the heart of the installation. The contents of the cube become visible when a sensor detects the presence of the audience and a time switch activates the light. This theatrical play of shadow, light and optical effects is alternated by a continuous change of projected images. Re-sidu-ality also incorporates the former darkroom from the legendary \u2018De Dageraad\u2019 printshop of Kees van Dam, where a vast number of underground and anarchistic publications as well as photo books and art catalogues have been printed since the early 1960s. What also forms part of the installation is a photo camera dating back to 1922. Re-sidu-ality undergoes continuous expansion as Barney de Krijger successively constructs and adds more objects to it.<\/p>\n<p>The project has been made possible thanks to Stroom Den Haag, Mondriaan Fonds and Materiaalfonds.<\/p>\n<ul>\n<li><a href=\"http:\/\/www.barneydekrijger.com\/\" target=\"_blank\" rel=\"noopener\">Barney de Krijger<\/a><\/li>\n<\/ul>\n<p>[\/vc_column_text][vc_media_grid grid_id=&#8221;vc_gid:1500554493632-736afa6f-8c67-8&#8243; include=&#8221;897,898&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Re-sidu-ality A homage to Vil\u00e9m Flusser Installation, 2012 \u2013 ongoing Collection of the Verbeke Foundation Re-sidu-ality is an installation in-progress which Barney de Krijger has been creating since 2012. The installation shows a kaleidoscopic mix of analogue photographic and cinematographic media as mechanical apparatus and has been invented and designed to capture, fix, freeze, and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-896","post","type-post","status-publish","format-standard","hentry","category-hedendaagse-kunst"],"_links":{"self":[{"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/posts\/896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/comments?post=896"}],"version-history":[{"count":2,"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/posts\/896\/revisions"}],"predecessor-version":[{"id":3003,"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/posts\/896\/revisions\/3003"}],"wp:attachment":[{"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/media?parent=896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/categories?post=896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/verbekefoundation.com\/en\/wp-json\/wp\/v2\/tags?post=896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}